What is Music?
Solving a Scientific Mystery
A Language Acquisition Device Without Universal Grammar
17 January, 2017
Language Acquisition Device
How To Compose Music: Daily Repeated Random Variation
30 October, 2016
A method for composing music: possibly the
method for composing music. Based on your brain's natural
and the concept of a
local theory of music.
I Predicted The Existence Of Component Five
27 February, 2016
The discovery of a "music area" in the human primary auditory cortex by
Norman-Haignere et al
was accompanied by the discovery of a "language area", one which responds to language
independently of specific language
. This response to language is very similar to the response to "speech-like sounds" which I hypothesised as both an evolutionary pre-cursor to the response to music, and as an important component of the early stages of infant language acquisition.
23 December, 2015
Academic research which touches on similar ideas to my own hypotheses.
On The Difficulty Of Music
17 December, 2015
"Difficulty" appears to be an actual feature of Music, and one which distinguishes it from Language.
Language, Displacement, and the State of Mind Induced by Music
2 December, 2015
, which motivates us to partially disconnect from
, evolved from a component of the human
language acquisition instinct
, a component that helps infants learn to understand language which refers to things
in their immediate reality. Also, music evolved to
be usable as a language.
Music Videos: Daydreamish, But Not Actually Daydreams
15 October, 2015
How music videos are "daydreamish", even though they're not actually daydreams.
The Modern Daydreamish Music Video: Four Ds And Two Other Things That Don't Start With D
11 October, 2015
Disconnection. Daydreaming. Daydreamable. Dancing. Also, Performance, and Cutting to the Beat.
The Ultimate Daydreamish Music Video: Daydreaming, and Daydreamable
8 October, 2015
Daydreaming about life past and life future, while simultaneously being awesome ...
Daydreamable Moments In Music Videos
7 October, 2015
Music Videos. Helping you to feel what it would really feel like if your wildest daydreams could come true.
How To Make A Low Budget Daydreamish Music Video
12 August, 2015
An example of a low-budget music video that successfully achieves
A Testable Theory Of Frisson: Music That's Better Than Expected
26 July, 2015
can be a function of the
violation of musical expectations
– but I hypothesize that this can be better stated as: frisson is something that happens when music turns out to be
The Mystery Of Chord Sequences
22 July, 2015
Some thoughts and wonderings about
, and how well they fit into a hypothesis that musicality is the result of a cortical 'steady state' of activity patterns.
How to Enjoy a Music Video
19 July, 2015
If you think that music videos are
something to keep you visually entertained while listening to the music, you may be missing out on the full pleasure of watching a music video.
Music, Language and Group Performance
19 July, 2015
Comparing Music and Language, the musical preference for
is something that needs explaining. Firstly, a group of singers sounds more in-tune than any of the individual singers. Secondly, being in a group is
, which may be important if the primary purpose of music is to
disconnect from reality
Music Videos Versus Narrative Films
15 July, 2015
are different things. But it is interesting to read an article by a film-maker who bemoans the non-narrative nature of most music videos.
A Possible Explanation For Earworms
11 July, 2015
Earworms could be a side-effect of how infants first learn to speak.
"Daydreamish" Content in Music Videos
28 June, 2015
acts more on our emotional responses to certain types of
scene than others. So we would expect many
to be constructed mostly or even entirely from those same types of film scene.
The Differences Between Music and Language
21 June, 2015
have obvious similarities. Almost certainly they are related somehow. But we shouldn't convince ourselves that they are more similar than they really are. For example, it would be a mistake to assume that music necessarily has "meaning", or that it "communicates".
Music: The Third Reality
14 June, 2015
Music is the
. The second reality is
, but mostly when we are very young and learning our first language. The first reality is everything else: ie all the things that we perceive in the world which aren't language or music.
Music and the Language Prototype in a Venn Diagram
11 June, 2015
defines a subset of the
Universal Set of All Possible External Stimuli
which (mostly) contains within it any actual spoken language.
is also contained within the
, and is distinct from any spoken language.
Music, Twin Speak and the Language Prototype
7 June, 2015
What can 'Talking Twins' tell us about the nature of music?
Music and Daydreaming
6 May, 2015
Music interacts strongly with emotions in daydreams. A plausible hypothesis is that this is the primary function of music.
Learn to Sing In-Tune with iPhone Apps (Update: Pitch Primer)
22 March, 2015
, which, as my singing practice has progressed, I now find to be more useful as a practice app.
Design of a 'Sing In-Tune' App
28 September, 2014
Features that one might want to add to an iPhone (or other platform) app for learning to sing in-tune.
Learn to Sing In-Tune with iPhone Apps
23 September, 2014
The ideal learn-to-sing-in-tune iPhone app does not yet exist, but I have found six apps that are useful.
Music Is Not Communication
20 September, 2014
Music is not communication, and the content of music has no meaning.
Music Creates An Altered State of Mind - and That Is All It Does
14 September, 2014
An alternative hypothesis about music: music is a means of inducing a temporarily altered state of mind. The content of the music has no intrinsic meaning, and is entirely the result of an evolutionary accident, because music perception evolved, possibly by a single mutation, from a system which was previously a component of speech perception.
Music and Surprise: Which Causes Which?
24 May, 2013
Is music musical because it's surprising? Or is music surprising because it's musical?
How to Build and/or Buy a Cheap Good Quality Music Keyboard
28 March, 2013
How to construct a high quality music keyboard, starting with an iPad or an iPhone.
Composing Music is Like Climbing Mountains in the Fog
28 May, 2011
Composing music is an
, like searching for the peak of a very high mountain.
Composing Music is Like Learning to Ride a Bicycle
26 May, 2011
An explanation of why you can't just learn to "compose music". The reason being that the composition of each new musical item must be a separate learning experience in itself.
How to Write Song Lyrics, Maybe
8 June, 2010
In which I propose a
about the interaction between
, and based on that hypothesis I devise a strategy for the writing of
Things You Need and Don't Need To Compose Music
22 February, 2010
You might think that
need to have
music composition software
how to play a musical instrument
and that they need
. But actually all these things are
How To Compose Music
22 January, 2009
Some ideas about how to
about music by improvising, let tunes and rhythms
"pop" into your head
, mix and match the
A Seventh Symmetry of Music Perception
8 December, 2008
seventh symmetry of music
frequency-dependent phase shift invariance
A Multi-Protein Theory of Music Perception
13 November, 2008
An alternative to the
model. And by
, I don't just mean
, I mean
A Single-Protein Model of Music Perception
3 September, 2008
An attempt to define a
minimal biological model
, involving just
one human-specific variant protein
expressed on the
of one particular group of
Researching the Genetics of Music, on OMIM
27 August, 2008
Online Mendelian Inheritance in Man
Online Music Perception Tests and the Perception of Musicality
23 July, 2008
I compare various online
music perception tests
to what I believe would be the most scientifically interesting music perception test: a
musicality perception test
We Have Not Yet Discovered "True" Congenital Amusia
20 July, 2008
is sometimes equated with
. But this equates
. Even if we add other components of music perception, such as
, it seems very unlikely that music perception is a simple combination of these individual components.
studying amusia should make more effort to discover
whose amusia is not simply a function of more basic perceptual deficits.
may be much rarer than the relatively common
"Music Theory" is not the Same Thing as a Theory of Music
16 January, 2008
in the sense that it is distinct from musical
, but it is not theory in the sense of being a
Music: The Hidden Sense and the Three Ways of Knowing
23 December, 2007
reveals to us an otherwise
three ways of knowing
. Cultural learning can be
is a hidden sense that increases the reliability of
unverified cultural learning
The Evolutionary Implications of Amusia
4 November, 2007
have to deal with the problem of
, amusia is a
of music itself, and the problem is to explain how music helps long-term reproduction. In the case of
, there has to be some
associated with amusia, i.e. other than the inability to create and appreciate music.
Musical Immunity and Auditory Super-Cheesecake
24 October, 2007
is like a
, then the brain's response to it is analogous to how the
responds to germs. Another useful metaphor is Steven Pinker's
, but if music is a very powerful
, then a better phrase might be
Musicality and Behavioural Modernity
17 October, 2007
The development of the human ability to perceive
may have triggered one of the most important events in
: the appearance of
Music: A Drug, Which Used To Be Stronger Than It Is Now
16 October, 2007
is like a
, then why haven't we
to it? Or have we indeed already evolved resistance? In which case, the emotional and pleasurable effect of music may have been much stronger in the past than it is now.
Commentary on "The Distance Geometry of Music"
30 May, 2007
A commentary on the paper
The Distance Geometry of Music
E Demaine et al
) in relation to the
super-stimulus theory of music
Advice on Making Experimental Music, based on the Super-Stimulus Theory
25 March, 2007
should be able to inform the
scientist. Here I show how the
of music can suggest better approaches to
Why do Song Lyrics Sound Significant and Profound When We Hear Them in Songs?
23 February, 2007
than they really are. Is this an
, or is it due to the operation of an
adaptive brain system
estimate the signficance and profundity
of what is being said?
Is Music a "Puzzle" or a "Mystery"?
13 January, 2007
, which requires access to special
to be solved, or is it a
, where we already have enough information, and we just need to work out how to use that information?
The Definition of "Automobile" (by a Music Theorist)
25 November, 2006
Every introduction to the study of
must start with the question of
. Here, using techniques of discourse and analysis borrowed from the academic study of
, I derive a complete and satisfying definition of the word
in three steps. A special challenge to the student's thinking about automobiles is included at the end of the article.
Are Musical Items Intrinsically Musical?
18 November, 2006
, then perhaps music is not
musical. But we often talk about our subjective judgements as if they were
, or at least
independent of the beholder
as a property of musical items is intrinsic in the sense of being
, this has important consequences for
Music is Things that Happen and Things that Don't Happen
10 November, 2006
is defined by
what happens within it
happen within it
, and by the
between the things that happen and the things that don't happen. This "things that happen"/"things that don't happen" contrast is the
, which accounts for both
Is There Musical Syntax Like Language Syntax?
2 November, 2006
Is there a
which is analogous to the
? Some recently published scientific studies explore this analogy, and identify the
of music with
. However, musical items may be
constrained by certain rules
because they are
. I suggest an
which tests this hypothesis by looking for
Musical Genomics and the Musical Astrocyte Theory
25 October, 2006
Combining recent advances in identifying
human accelerated regions
with the possibility that music perception involves
), it may be sooner rather than later that a strong candidate for a
can be identified.
Three Questions That Music Scientists Need To Ask
18 October, 2006
Which is the
listening to music
(or both)? What makes some music
than other music? Would what I am saying about music make sense if I said the same thing about
Music Perception: What Is It That We Perceive When We Perceive Music?
15 October, 2006
One of the things that
is something that we
don't know what it is
. In fact, music appears to be something created entirely so that
we can perceive it
. Which is all
Dina Paucar: Peruvian Huayno Singer With An Unusual Singing Style
15 August, 2006
The Peruvian singer
in a very distinctive style which achieves a strong emotional effect.
Some Questions that the Music Mathematicians Forget to Ask
11 August, 2006
There are some people out there investigating the
using quite sophisticated concepts from
. But is this mathematics really telling us anything interesting about what music
? I highlight some
music mathematicians forget to ask
Why Bird Songs Sound Musical To Us
26 July, 2006
If bird "songs" are not
, then why do they
Limitations of Statistical Methods for Analysing Music
14 November, 2005
promises to deliver
that can distinguish "good" music from "bad" music. But analyses disconnected from
are unlikely to lead to any major improvement in our understanding of what music
, even if they result in the discovery of significant correlations between observed characteristics of music and its popularity.
Please Help Me Find the Musicality Brain Cells
18 October, 2005
theory of music predicts the existence of a specific type of brain cell whose sole purpose is to detect musicality. It should be possible to detect these cells anatomically, and maybe someone already has. Can you help me to find them?
The Irrelevance of Absolute Pitch to Music Science
9 July, 2005
The phenomenon of
may not be completely irrelevant to the scientific study of music, but it is much less relevant than some people think it is.
Is Music a Drug?
3 July, 2005
acts on our emotions and feelings.
act on our emotions and feelings. We generally recognise that the feelings created by drugs are not "real". Does the same apply to music? Is music a drug?